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Showing posts with label Art History. Show all posts
Showing posts with label Art History. Show all posts

Wednesday, 5 October 2016

Art History- The Arts and Crafts Movement

The Arts and Crafts Movement
-The Arts and Crafts Movement was one of the most influential, profound and far-reaching design movements of modern times.
-Its flourished between 1880 and 1910, especially in the second half of that period,[1] continuing its influence until the 1930s.
-It grew out of a concern for the effects of industrialisation: on design, on traditional skills and on the lives of ordinary people. 

-The movement developed first and most fully in the British Isles.
William Morris design for "Trellis" wallpaper

season ticket for The Arts & Crafts Exhibition Society, by Walter Crane

"Artichoke" wallpaper, by John Henry Dearle for William Morris & C

- but spread across the British Empire and to the rest of Europe and North America.
-The Arts and Crafts Movement revived traditional artistic craftsmanship with themes of simplicity, honesty, function, harmony, nature and social reform.
-The movement promoted moral and social health through quality of architecture and design executed by skilled creative workers, and was a revolt against the poor quality of industrialized mass production.
-It advocated economic and social reform and has been said to be essentially anti-industrial.
-In Britain the disastrous effects of industrial manufacture and unregulated trade had been recognised since about 1840, but it was not until the 1860s and 1870s that architects, designers and artists began to pioneer new approaches to design and the decorative arts. 
-The two most influential figures were the theorist and critic John Ruskin and the designer, writer and activist William Morris. 
-Ruskin examined the relationship between art, society and labour. 
-Morris put Ruskin's philosophies into practice, placing great value on work, the joy of craftsmanship and the natural beauty of materials.



Art History- Greece Art

Greece Art
-The architecture of Ancient Greece is produced by the Greek-speaking people (Hellenic people).
-Ancient Greek is found throughout the region, mostly as ruins but many substantially intact.
-The second important type of building that survives all over the Hellenic world is the open-air theatre, with the earliest dating from around 350 BC.
-Ancient Greek architecture is distinguished by its highly formalised characteristics, both of structure and decoration.
-The vocabulary of Ancient Greek architecture, in particular the division of architectural style into three defined orders which is Doric order, the Ionic order and the Corinthian order.
- The most freely available building material is stone.
- Limestone was readily available and easily worked.
-There is an abundance of high quality white marble both on the mainland and islands, particularly Paros and Naxos.
-The light is often extremely bright, with both the sky and the sea vividly blue.
-The clear light and sharp shadows give a precision to the details of landscape, pale rocky outcrops and seashore.
- The gleaming marble surfaces were smooth, curved, fluted, or ornately sculpted to reflect the sun, cast graded shadows and change in colour with the ever-changing light of day.
-The art history of the Hellenic era is generally subdivided into four periods.
- The Protogeometric (1100-900 BC), the Geometric (900-700 BC), the Archaic (700 - 500 BC) and the Classical (500 - 323 BC)[10] with sculpture being further divided into Severe Classical, High Classical and Late Classical.
- The tiny stylised bronzes of the Geometric period gave way to life-sized highly formalised monolithic representation in the Archaic period.
-The Classical period was marked by a rapid development towards idealised but increasingly lifelike depictions of gods in human form.
-The religion of Ancient Greece was a form of nature worship that grew out of the beliefs of earlier cultures.
-The Ancient Greeks perceived order in the universe, and in turn, applied order and reason to their creations.
-Mycenaean art is marked by its circular structures and tapered domes with flat-bedded, cantilevered courses.
-This architectural form did not carry over into the architecture of Ancient Greece, but reappeared about 400 BC in the interior of large monumental tombs such as the Lion Tomb at Cnidos (c. 350 BC). -Little is known of Mycenaean wooden or domestic architecture and any continuing traditions that may have flowed into the early buildings of the Dorian people.
-The Greek word for the family or household is also the name for the house.
- Houses followed several different types.
-It is probable that many of the earliest houses were simple structures of two rooms, with an open porch.
-The construction of many houses employed walls of sun dried clay bricks or wooden framework filled with fibrous material such as straw or seaweed covered with clay or plaster.
-Many houses centred on a wide passage or "pasta" which ran the length of the house and opened at one side onto a small courtyard which admitted light and air.
-City houses were built with adjoining walls and were divided into small blocks by narrow streets.
 -Shops were sometimes located in the rooms towards the street.
-City houses were inward-facing, with major openings looking onto the central courtyard, rather than the street.
- Masonry walls were employed for temples from about 600 BC onwards.
-Masonry of all types was used for Ancient Greek buildings, including rubble.
- The blocks were roughhewn and hauled from quarries to be cut and bedded very precisely, with mortar hardly ever being used.
-The Doric order is recognised by its capital, of which the echinus is like a circular cushion raising from the top of the column to the square abacus on which rest the lintels.

-Doric columns are almost always cut with grooves, known as "fluting", which run the length of the column and are usually 20 in number, although sometimes fewer.

The Parthenon under restoration in 2008

The House of Masks

3rd century BC

Parts of an Ancient Greek temple of the Doric Order



Art History Week 12- Roman Art

Roman Art
-Ancient Roman architecture adopted many different aspects of Ancient Greek architecture, to creating a new architectural style.
-The Romans were known to employ Greek craftsmen and engineers to construct Roman buildings.
-Roman architecture flourished throughout the Empire during the Pax Romana.
-Roman Architecture covers the period from the establishment of the Roman Republic in 509BC.
-Roman architectural style continued to influence building in the former empire for many centuries, and it is called Romanesque architecture to reflect this dependence on basic Roman forms.
-Aqueducts of Rome, the Baths of Diocletian and the Baths of Caracalla, the basilicas .
-They were reproduced at smaller scale in most important towns and cities in the Empire.
-Some surviving structures are almost complete, such as the town walls of Lugo in Hispania Tarraconensis, or northern Spain.
-The Ancient Romans, public buildings should be made to impress, as perform a public function.
-The dome permitted construction of vaulted ceilings without crossbeams and provided large covered public space such as public baths and basilicas.
-The Romans based much of their architecture on the dome, such as Hadrian's Pantheon in the city of Rome, the Baths of Diocletian and the Baths of Caracalla.
-Art historians such as Gottfried Richter in the 1920s identified the Roman architectural innovation as being the Triumphal Arch.
-This symbol of power was transformed and utilised within the Christian basilicas when the Roman Empire of the West was on its last legs.
-The Romans first adopted the arch from the Etruscans, and implemented it in their own building.
-An arch transmits load evenly and is still commonly used in architecture today.
-The Ancient Romans were responsible for significant developments in housing and public hygiene.
-For example their public and private baths and latrines, under-floor heating in the form of the hypocaust,  piped hot and cold water .
-Ancient Rome is had elaborated, massive and beautiful houses and buildings.
-These houses and buildings belonged to those in higher social status.
-The average house of a commoner or Plebe did not contain many luxuries.
-There were members of the upper class that attended to flash their wealth into their design.
-All Roman cities had at least one Thermae, a popular facility for public bathing, exercising and socializing.
-Exercise might include wrestling and weight-lifting  as swimming.
-Bathing was an important part of the Roman day, where some hours might be spent, at a very low cost subsidized by the government.
-Roman bath-houses were  provided for private villas, town houses and forts.
-They were normally supplied with water from an adjacent river or stream, or by aqueduct.
-Many lighthouses were built around the Mediterranean and the coasts of the empire.
- A smaller lighthouse at Dover, England also exists as a ruin about half the height of the original.
-The light would have been provided by a fire at the top of the structure.
-Tile covered concrete quickly supplanted marble as the primary building material.
-The freedom of concrete also inspired the colonnade screen, a row of purely decorative columns in front of a load-bearing wall.
- In smaller-scale architecture, concrete's strength freed the floor plan from rectangular cells to a more free-flowing environment.
-Although concrete had been used on a minor scale in Mesopotamia.
 -The first use of concrete by the Romans was in the town of Cosa sometime after 273 BCE.
- Ancient Roman concrete was a mixture of lime mortar, sand with stone rubble and stones.
-When the framework was removed, the new wall was very strong with a rough surface of bricks or stones.

-The wooden frames could be used more than once, allowing builders to work quickly and efficiently.
The Colosseum in Rome

Italy,Hadrian's Wall

The Roman Forum 




Art History Week 11- Rococo Art

Rococo Art
-Is an 18th-century artistic movement and style,
-Including painting, sculpture, architecture, interior design, decoration, literature, music, and theatre.
- Rococo artists and architects used a more jocular, florid, and graceful approach to the Baroque. 
-Their style was ornate and used light colours, asymmetrical designs, curves, and gold. Unlike the political Baroque, the Rococo had playful and witty themes.
Painting
-Though Rococo originated in the purely decorative arts, the style showed clearly in painting.
-These painters used delicate colors and curving forms, decorating their canvases with cherubs and myths of love.

-Portraiture was also popular among Rococo painters.





Gustaf Lundberg’s The Toilet of Venus




Giovanni Battista Tiepolo’s Death of Hyacinth

Sculpture
-Sculpture was another area where the Rococo was widely adopted.
- Ã‰tienne-Maurice Falconet (1716–1791) is widely considered one of the best representatives of French Rococo.
-In general, this style was best expressed through delicate porcelain sculpture rather than imposing marble statues.
- The themes of love and gaiety were reflected in sculpture, as were elements of nature, curving lines and asymmetry.
-The sculptor Edmé Bouchardon represented Cupid engaged in carving his darts of love from the club of Hercules (illustration); this serves as an excellent symbol of the Rococo style.
Rococo sculpture


Poetry





Art History Week 10- Renaissance Art

Renaissance Art
Dark period 
-The 14th century was a time of great crisis.
-The plague, the Hundred Years war, and the turmoil in the Catholic Church all shook people’s faith in government, religion, and their fellow man.
-Causing a cultural rebirth, a renaissance.
-They advancing in Humanistic education, based on rhetoric, ethics and the liberal arts.
­-These new cultural movements gave inspiration to artists.
-Perspective. To add three-dimensional depth and space to their work.

-Linear perspective: Instead of every object in the picture being the same size, objects that were further away would be smaller, while those closer to you would be larger.
Example for Linear perspective

-Horizon line: Horizon line refers to the point in the distance where objects become so infinitely small, that they have shrunken to the size of a line.
Example for Horizon line

- Shadows and light. Artists were interested in playing with the way light hits objects and create shadows.
Example for Shadow and light

- Emotion. Renaissance artists wanted the viewer to feel something while looking at their work, to have an emotional experience from it.
-Realism and naturalism. In addition to perspective, artists sought to make objects, especially people, look more realistic.
Example for Realism andnaturalism

Madonna del Cardellino
-By Raphael, 1506.
- She has a real form, real limbs, a real expression on her face.
-  Raphael utilized perspective to give the painting depth.
Madonna del Cardellino




Art History Week 9- Islamic Art

Islamic Art
-Islamic art encompasses the visual arts produced from the 7th century onwards.
-Its includes all the art of the rich and varied cultures of Islamic societies as well.
-Figurative painting may cover religious scenes, but normally in essentially secular contexts such as the walls of palaces or illuminated books of poetry.
-Islamic art developed from many sources: Roman, Early Christian art, and Byzantine styles were taken over in early Islamic art.

-There are repeating elements in Islamic art, such as the use of geometrical floral or vegetal designs in a repetition known as the arabesque. 

-The arabesque in Islamic art is often used to symbolize the transcendent, indivisible and infinite nature of God.
-Typically, though not entirely, Islamic art has focused on the depiction of patterns and Arabic calligraphy.
-There are also many depictions of Muhammad, Islam's chief prophet, in historical Islamic art.
-Small decorative figures of animals and humans, especially if they are hunting the animals.

-Calligraphic design is omnipresent in Islamic art, where, as in Europe in the Middle Ages, religious exhortations, including Qur'anic verses, may be included in secular objects, especially coins, tiles and metalwork, and most painted miniatures include some script, as do many buildings.
-Inscriptions include verses of poetry
-Inscriptions recording ownership or donation.
-Two of the main scripts involved are the symbolic kufic and naskh scripts.
-Which can be found adorning and enhancing the visual appeal of the walls and domes of buildings, the sides of minbars, and metalwork.



-Islamic calligraphy in the form of painting or sculptures are sometimes referred to as quranic art.
Detail of arabesque decoration at the Alhambra in Spain





Art History Week 8- Egyptian Art

Egyptian Art
-Building materials used in ancient Egypt were sun-baked mud brick and stone, mainly limestone.
-In Old Kingdom onward, stone was generally reserved for tombs and temples. bricks were used for royal palaces, fortresses, the walls of temple precincts and towns, and buildings in temple complexes.
-The core of the pyramids came from stone quarried in the area already while the limestone.
-Ancient Egyptian houses were made out of mud collected from the Nile River. --It was and left to dry in the hot sun to harden for use in construction.
-Many Egyptian towns have disappeared because they were situated near the cultivated area of the Nile Valley and were flooded as the river bed slowly rose during the millennia.
-Hot climate of Egypt preserved some mud brick structures.
-Examples include the village Deir al-Madinah, the Middle Kingdom town at Kahun and etc.
-Exterior and interior walls the columns and piers were covered with hieroglyphic and pictorial frescoes and carvings painted in brilliant color.
-Motifs of Egyptian ornamentation are symbolic, such as the scarab, or sacred beetle and etc.
-Other common motifs include palm leaves, the papyrus plant, and the buds and flowers of the lotus
-Ancient Egyptian temples were aligned with astronomically significant events, such as solstices and equinoxes, requiring precise measurements at the moment of the particular event.

-Measurements at the most significant temples may have been ceremonially undertaken by the Pharaoh himself.
-Drawings of the types of the architectural capitals specific for the Ancient Egyptian civilization

-The well preserved Temple of Horus at Edfu is an example of Egyptian architecture and architectural sculpture.

-Tomb of Sarenput II.



Art History Week 7- Byzantine Art

Byzantine Art
-The Byzantine Empire was the Greek-speaking continuation of the eastern half of the Roman Empire.

-Its capital city was Constantinople (modern-day Istanbul).
Originally known as Byzantium

-Continued to exist for an additional thousand years until it fell to the Ottoman Turks in 1453.
The Polish forces, under John Sobieski, attacked, and defeated the Ottoman Turks under Kara Mustafa.

-Both "Byzantine Empire" and "Eastern Roman Empire" are historiographical terms created after the end of the realm.
-In 285, the emperor Diocletian (r. 284–305) partitioned the Roman Empire's administration into eastern and western halves.
 

eastern and western halves

-Constantine I (r. 306–337) transferred the main capital from Rome to Byzantium.
-Under Theodosius I (r. 379–395), Christianity became the Empire's official state religion and others such as Roman polytheism were proscribed.

-Under the reign of Heraclius(r. 610–641), the Empire's military and administration were restructured.
-The reign of Justinian I (r. 527–565), the Empire reached its greatest extent after reconquering much of the historically Roman western Mediterranean coast, including north Africa, Italy, and Rome itself.

-the reign of Maurice (r. 582–602), the Empire's eastern frontier was expanded and the north stabilised

-His assassination caused a two-decade-long war with Sassanid Persia which exhausted the Empire's resources.
-During the Macedonian dynasty (10th-11th centuries), the Empire again expanded and experienced a two-century long renaissance

- The final centuries of the Empire exhibited a general trend of decline.
-It struggled to recover during the 12th century, but was delivered a mortal blow during the Fourth Crusade, when Constantinople was sacked and the Empire dissolved and divided into competing Byzantine Greek and Latin realms. 
-The Fall of Constantinople to the Ottoman in 1453 finally ended the Empire

Early Byzantine art
Areobindus in his consular robes, from his ivory consular diptych

Age of Justinian I